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Akkasah Launches The NasriFuleihan Digital Collection Featuring Images Of Palestine Between 1910-1924

Akkasah Launches The NasriFuleihan Digital Collection Featuring Images Of Palestine Between 1910-1924

As people around the globe continue to stay home in light of COVID-19, Akkasah, NYU Abu Dhabi’s (NYUAD) Center for Photography, has recently released a digital collection of 367 photographs that were taken in Palestine between c. 1912 and 1924, available for the public to browse online.

The NasriFuleihan Collectionfeatures a wide range of photographs captured by NasriFuleihan, a Cypriot of Lebanese descent who was born in 1891 and died in 1959. Fuleihan studied Civil Engineering at Purdue University, and following his graduation in 1912, he traveled to Palestine and worked as an engineer. Over the following decades he travelled between Jordan, Palestine, Egypt, and the US working on projects in each location, including the Holland Tunnel.

Fuleihan made use of his camera during his daily work as an engineer, mainly in Southern Palestine, documenting the daily lives of workers involved in infrastructure projects and oil prospecting. Some of his photographs were inspired by the works of other photographers who operated in Palestine at the time, most notably the renowned Palestinian photographer Khalil Ra’d. The collection also includes business cards of several photography studios in Palestine, Egypt, and the US.

Jasmine Soliman, an archivist from Akkasah who worked on the collection, said: “Fuleihan’s photographs tell the story of his life and career among the Middle Eastern diaspora in the United States; beginning with his time studying alongside classmates from as far afield as Japan and the Philippines and later returning to the Levant. There he carved out a successful career and developed a network among leaders in Palestinian society, including SelimAyoub and Ismail Bey el Husseini, officers of the Jerusalem Chamber of Commerce and Commercial Society of Palestine Bank.”

She added: “I am particularly proud of this collection as it was borne out of an intercontinental collaboration between the collection owner (Fuleihan’s granddaughter, Gail O’Keefe Edson), Guy Burak (Librarian for Middle Eastern and Islamic studies at NYU-Bobst Library), the digital libraries team at NYU (DLTS) and Akkasah. The photographs were loaned to Bobst Library and digitized there by a Student Assistant, Mara Lasky. I then carefully researched and catalogued the digital images, assisted by NYUAD student Amna Al-Qubaisi. Akkasah’s flexible model of building its collections means that we can work with individuals with family or personal photographic collections who are happy for their images to be digitally archived and shared on akkasah.org, whilst they retain the physical photographs. Over 2,800 of the images currently online are a result of ‘digitize and return’ collaborations.”

Akkasah, the Center for Photography at NYU Abu Dhabi, explores the histories and contemporary practices of photography in the Middle East and North Africa from comparative perspectives. It fosters the scholarly study of these histories and practices in dialogue with other photographic cultures and traditions from around the world. Through a range of activities, the Center also supports the developing photographic culture in the UAE.

For more information, visit: akkasah.org/